Joe Traina Music Glorifying the American Popular Song
 
 
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A TRIUMPH!!!

The gig at Iridium on December 9th was very well attended and there was cheering and much applause at the end of each set.

We have been invited back on April 14th, 2009 and are looking forward to seeing you there!

Please celebrate Inauguration Day by catching bandmember/arranger Pete McGuinness and his Big Band at Iridium Tuesday evening January 20th. Pete's group is one of the best on the jazz scene today and his arrangements can't be beat.

Iridium is located at 1650 Broadway at West 51st Street. For reservations and information (you may call mid-January about Pete's gig and late March about the Joe Traina Dectet gig) phone
212-582-2121.


The Joe Traina Trio, Quartet and Quintet has appeared throughout the Tri-State area for the past sixteen years playing jazz and swing music at such notable venues as the Rainbow Room, Tavern On The Green, Sardi's, Metronome, Shelly's New York, The National Arts Club and the Maramoneck Country Club .

Joe proudly features the arrangements of trombonist/vocalist Pete McGuinness in his repertoire and on his three CDs "Friday Evenings At Sardi's", "Only In New York" and "Tea For Two".

An accomplished musician, composer and arranger , McGuinness has defined the swingin', witty "East Coast meets West Coast" style that has become Traina's trademark.

The American Popular Songbook is comprehensively represented by all of Traina's ensembles including compositions by Kern,  Berlin, Van Heusen, Gershwin, Porter, Ellington, Arlen, Rodgers and Mancini.

Here's an NPR interviews from 2002 given by Artie Shaw.

Always erudite and often controversial, Shaw remians my strongest inlfuence on the clarinet to this day.

March 8, 2002 -- In his day, there was no bigger star in the music universe than Artie Shaw. The jazz clarinetist and bandleader's rendition of Hoagy Carmichael's "Stardust" was one of the best-known songs of the 20th century. Shaw's recording of "Begin the Beguine" sold millions and helped him dethrone Benny Goodman as the "King of Swing."

Artie Shaw playing clarinet

Artie Shaw performing, circa 1938.
Photo courtesy Artie Shaw

Listen to Artie Shaw,
From Self Portrait
(Bluebird Jazz)


listen "Begin the Beguine"

listen "Any Old Time"

listen "Stardust"

listen "These Foolish Things"

listen "Nightmare"

Ava Gardner and Artie Shaw

Newlyweds Ava Gardner and Artie Shaw in 1945.
Photo courtesy Ava Gardner Museum

"It became such a hit that it superseded anything that any band had ever had," Shaw tells Renée Montagne on Morning Edition. "It was the first time that a so-called swing band played something melodic and still gave it a beat."

Shaw, now 91, recently discussed his life and a newly issued CD box set called Self Portrait, consisting of songs he selected.

"Begin the Beguine" transformed the clarinet virtuoso into a pop star -- darkly handsome with squealing jitterbuggers in the audience and glamour girls on his arm. Among the string of women he married were movie stars Lana Turner and Ava Gardner. It was a world, he insists, not of his choosing, but hard to resist.

"You run into a party and (a) woman comes up to you. She's the most beautiful creature you ever saw -- Ava Gardner -- and says, 'I like you and why don't we get together?' What are you going to say, 'No'? You'd have to be an idiot. She was an incredible creature."

But Shaw was more at home in the jazz life. In the 1938 session that launched 'Begin the Beguine', he recorded another tune called 'Any Old Time', featuring Billie Holiday, who was little known at the time.

Shaw had persuaded Holiday to join his big band at a time when a black singer in a white band was shocking. "I knew that was going to be kind of scandalous, but she was a good singer," he says.

Shaw, who began recording in 1936, walked away from the business -- and his clarinet -- 18 years later. He says he didn't enjoy the life of a star and that his struggle for perfection was killing him.

Artie Shaw

Artie Shaw, circa 1994.
Photo: Chip Deffaa

"I was very uncomfortable," he explains. "I played the role called Artie Shaw. People (ask) me for autographs, so I (say), 'I got out of the Artie Shaw business about 50 years ago.' That's why I walked out. I walked out of the business at my peak. I quit."

Shaw insists that he doesn't wish to play the clarinet again, though he still describes the experience with awe. Pointing to an instrument on a shelf at his home, he says: "That's the clarinet I used to use... but it's just a piece of wood, you know, with holes in it and they put these clumsy keys on it and you're supposed to try to take that and manipulate it with throat muscles and chops... and try to make something happen that never happened before. And when you do, you never forget it. It beats sex, it beats anything... "

Quote of the Week:

Jazz is... One of life's greatest gifts: fun found within surprise.
~ Author Unknown